Thursday, January 23, 2014
AT-HOME 'Sighting & Measuring' Assignment for Thursday, January 30th
Instead of meeting for our usual class time on Thursday, January 30th, you will have an at-home assignment to complete. You will need to make 4 drawings in your sketchbook from observation of 4 different 3-object still life's. Your still life can be any mixture of organic or rigid forms (i.e. fruit, bottles, drinking glasses, any household objects, etc.).
Practice the same method of sighting we used in class. Normally sighting lines become absorbed into the final drawing, but for this assignment I want you to leave evidence of the sighting and measuring. These can be light pencil lines, but I want to see that you're practicing this method.
The 4 drawings will be due when we meet again as a class on Tuesday, February 4th.
Materials:
Sketchbook (4 pages)
Graphite pencil/compressed graphite
Sighting instrument of some kind
Semester Schedule
Life Drawing I Spring 2014 Schedule:
**Subject to change!!
Week 1:
1/21- Introductions + Syllabus
1/23- Exquisite Corpse
Week 2:
1/28- Sighting lecture + exercises
1/30- CLASS DOES NOT MEET--AT-HOME Sighting Assignment in sketchbook
Week 3:
2/4- Begin in-class Vanitas using Sighting principles, introduce Vanitas assignment
2/6- Continue working from in-class still life
Week 4:
2/11- CRITIQUE Vanitas
2/13- Blind contour portraits
Week 5:
2/18- Figure Drawing intro lecture, gesture practice w/Beyonce, Collaged Figure
2/20- Model (JENNY)—focus on gesture
Week 6:
2/25- Figure Drawing sighting lecture, exercises with Model (JAY), Imprint of A Space
2/27- Model (JENNY)—focus ½ on gesture, ½ on sighting/relative proportion
Week 7:
3/4- 8 Portraits, Self Portrait
3/6- Model (JAY)—focus on head & shoulders
Week 8:
3/11- CRITIQUE Self Portraits, Landscape of Contemporary Figuration
3/13- Model (JENNY & JAY)
Week 9: NO CLASS-Spring Break
Week 10:
3/25- LCF papers due
3/27- Model
Week 11:
4/1- LCF drawing due, CRITIQUE
4/3- Model
Week 12:
4/8- Model
4/10- Model
Week 13:
4/15- Model, Figure at Full Scale
4/17- Model
Week 14:
4/22- critique Figure at full scale, Expanding the Narrative
4/24- Model
Week 15:
4/29- 1st part of ETN due
5/1- Model
Week 16:
5/6- Model, Selection of at least 8 in-class Figure drawings due
5/8- Final drawings for ETN due, FINAL CRITIQUE
Saturday, January 18, 2014
Welcome to Life Drawing I!
Life Drawing I: 01F:007:SCA (DRAW:2310:0SCA)
The University of Iowa, School of Art & Art History
Spring 2014
1019 Studio Arts: TTh 3:30-5:20PM
Instructor: Mary Coats
Email: mary-coats@uiowa.edu
Class blog: coatslifedrawing.blogspot.com
Office hours: Thursdays 12-3pm, or by appointment
Course Description
& Objectives
This course teaches drawing from life using a variety of
media, and a broad conceptual and technical approach. Learning to see and to
respond graphically to one's gathered visual information is stressed. Still
life, the natural environment, as well as the human form (clothed and
unclothed), are subjects. Efforts are made to improve student understanding of
form and content. The first half of the semester is structured with specific
assigned problems. After midterm, students should increasingly address personal
interests. A final portfolio of a selection of the semester's best work is made
by students and submitted, in lieu of a final exam, as partial fulfillment of
work for the final grade. There are outside assignments given throughout the
semester. These may be done in a sketchbook or as larger, separate, finished
drawings. Assignments parallel in-class concerns.
Class Structure &
Expectations
Students are expected to arrive on time and prepared for
class (this includes having all materials with you when you arrive). Classes
will be a combination of working sessions, lecture, demonstrations, and
one-on-one instruction. As this is a 3 credit course, students are expected to
spend at least 6 hours outside of class per week; this should be reflected
through weekly homework assignments and projects.
Attendance &
Participation
The nature of the studio course necessitates hands-on
experience, development through practice and critique, and interaction with the
instructor and one’s peers. Attendance will be taken at the beginning of each
class. Students will receive a score of 0 through 2 each class: ‘0’ if absent,
‘1’ if tardy, caught using a cell phone/mp3 player, not participating, etc.,
and ‘2’ if prepared for class and participating in class exercises/critique. If
you are absent, you are responsible for making up class work and getting class
assignments.
Class Blog
We will use a class
blog in place of ICON. If you are absent you are expected to check the blog,
keep yourself up to date, and make up any assignments. Handouts, assignments, announcements,
due dates, examples of artwork, upcoming shows and other important information
will be regularly updated on the class blog.
If you have a gmail account I suggest “following” the blog. If you don’t know how to do this just
ask. The class blog is: http://coatslifedrawing.blogspot.com/
Basic Studio
Etiquette
The use of cell phones in class is prohibited (this includes
texting) except in emergency situations (i.e. family emergency). If I see you using your phone in class it
will lower your participation grade for that day. Personal CD players and mp3
players with headphones are great for individual studio work outside of class;
however, they hamper the interactive environment of this course. Personal mp3 players are not permitted, if I
see you using one it will lower your participation grade for that day. The
last 5-10 minutes of class will be reserved for clean-up. It is vital to clean up all messes and
respect the space that we are sharing with other classes.
Studio Model Policy
& Guidelines
Drawing from the live nude model will be a major part of
this course and may include models of any gender identity. Instructors and
students should demonstrate consideration for the model and behave
professionally and with respect. This will include an instructor
discussing the purpose of particular poses with the model, and the right of the
model to choose to accept or reject a given assignment. It is not
appropriate to touch the model or ask that models touch one another in a
pose. Only the faculty member and the students enrolled in the class are
allowed in the studio classroom when the model is posing. The doors to classrooms using studio models
should be kept closed, and signs posted on the door for privacy.
Grading &
Deadlines
Grades are dependent upon the timely completion of all
assignments and class participation. Late, missing, or incomplete assignments
will greatly affect your grade. For
each day an assignment is late, the total grade will drop a letter. The +/-
system will be used.
Keep in mind that a “C” is
average. If you intend to come to class
and do the minimum amount of work you can expect to get a “C”.
A = Excellent. An “A” student comes to class prepared,
fulfills all class requirements, makes great improvements and takes risks.
B = Above
Average. A “B” student fulfills all of the class requirements but somehow fails
to take risks and make great improvements. The level of engagement is what
really separates the A students from
the B students.
C = Average. A “C”
student attends class and completes most of the assignments on time, but
their involvement, their level of engagement, is average.
D = Below Average. A
“D” student shows little interest
and dedication to the class. The D student completes some of the
assignments on time but fails to remain engaged and motivated.
F = Failure. A
grade of “F” is only given when a
student shows no interest or dedication to the class. The F student
misses class frequently and fails to complete most assignments.
Grades will be based on the following:
70% = Projects/Homework/Final Portfolio
30% = Participation (Attendance is key, as well as
involvement in discussions and critiques. This includes class work and
clean-up.)
Grading Scale
A = 93%
A‐ = 90%
B+ = 87%
B = 83%
B‐ = 80%
C+ = 77%
C = 73%
C‐ = 70%
D+ = 67%
D = 63%
D‐ = 60%
F = below 60%
Required Materials
All materials can be purchased at Blick Art Materials, 201 S
Clinton. You are only required to purchase those materials that you don’t
already own. There may me additional materials needed as the course
progresses.
*Drawing Utensils*
Graphite drawing pencils
Charcoal pencils
Vine charcoal
Compressed charcoal
Compressed graphite
White charcoal
Conté crayons
Bombay India Ink
Assorted blending stumps
Bamboo brushes
White vinyl eraser
Gray kneaded eraser
*Paper*
Portfolio for transporting work
Bristol pad (or other high quality drawing paper
pad)—18”x24”
Newsprint pad—18”x24”
Sketchpad—at least 8”x10”
4-5 sheets of quality drawing paper (To be used for
designated projects, you can buy this as you go along. Some recommended brands
are Rives BFK, Strathmore, Canson, D’Arches, and Fabriano.)
*Miscellaneous*
Workable matte spray fixative
Pencil sharpener
Bulldog clips to affix paper to drawing tables
Masking tape
Scissors
Rag or chamois cloth for charcoal work (old tshirt or wash
cloth works fine)
Tool box/tackle box/art bin for storing supplies (or any
method of your choice to transport supplies and keep them organized)
Life Drawing I Spring
2014 Schedule:
**Subject to change!!
Week 1:
1/21- Introductions + Syllabus
1/23- Exquisite Corpse
Week 2:
1/28- Sighting lecture + exercises
1/30- Sighting exercises in sketchbook
Week 3:
2/4- Begin in-class Vanitas using Sighting principles,
introduce Vanitas assignment
2/6- Continue working from in-class still life
Week 4:
2/11- CRITIQUE Vanitas
2/13- Blind contour portraits
Week 5:
2/18- Figure Drawing intro lecture, gesture practice
w/Beyonce, Collaged Figure
2/20- Model—focus on gesture
Week 6:
2/25- Figure Drawing sighting lecture, exercises, Imprint of A Space
2/27- Model—focus ½ on gesture, ½ on sighting/relative proportion
Week 7:
3/4- 8 Portraits, Self
Portrait
3/6- Model—focus on head & shoulders
Week 8:
3/11- CRITIQUE Self Portraits, Landscape of Contemporary Figuration
3/13- Model
Week 9: NO CLASS-Spring Break
Week 10:
3/25- LCF papers due
3/27- Model
Week 11:
4/1- LCF drawing due, CRITIQUE
4/3- Model
Week 12:
4/8- Model
4/10- Model
Week 13:
4/15- Model, Figure
at Full Scale
4/17- Model
Week 14:
4/22- critique Figure at full scale, Expanding the Narrative
4/24- Model
Week 15:
4/29- 1st part of ETN due
5/1- Model
Week 16:
5/6- Model, Selection of at least 8 in-class Figure drawings
due
5/8- Final drawings for ETN due, FINAL CRITIQUE
SPRING 2014
School of Art and Art History Syllabus Information
The University of Iowa
Administrative Home
The College
of Liberal Arts and Sciences is the administrative home of this course and
governs matters such as the add/drop deadlines, the second-grade-only option,
and other related issues. Different colleges may have different policies.
Questions may be addressed to 120 Schaeffer Hall, or see the CLAS Academic
Policies Handbook at http://clas.uiowa.edu/students/handbook.
Electronic Communication
University
policy specifies that students are responsible for all official correspondences
sent to their University of Iowa e-mail address (@uiowa.edu). Faculty and
students should use this account for correspondences (Operations Manual, III.15.2, k.11).
Accommodations for Disabilities
A student
seeking academic accommodations should first register with Student Disability
Services and then meet privately with the course instructor to make particular
arrangements. See www.uiowa.edu/~sds/ for more information.
Academic Honesty
All CLAS
students or students taking classes offered by CLAS have, in essence, agreed to
the College's Code of Academic Honesty: "I pledge to do my own
academic work and to excel to the best of my abilities, upholding the IOWA Challenge.
I promise not to lie about my academic work, to cheat, or to steal the words or
ideas of others; nor will I help fellow students to violate the Code of
Academic Honesty." Any student committing academic misconduct is reported
to the College and placed on disciplinary probation or may be suspended or
expelled (CLAS Academic Policies Handbook).
CLAS Final Examination Policies
The final
examination schedule for each class is announced by the Registrar generally by
the tenth day of classes. Final exams are offered only during the official
final examination period. No exams of any kind are allowed during the
last week of classes. All students should plan on being at the UI
through the final examination period. Once the Registrar has announced the
date, time, and location of each final exam, the complete schedule will be
published on the Registrar's web site and will be shared with instructors and
students. It is the student's responsibility to know the date, time, and place
of a final exam.
Making a Suggestion or a Complaint
Students
with a suggestion or complaint should first visit with the instructor (and the
course supervisor), and then with the departmental DEO. Complaints must be made
within six months of the incident (CLAS Academic Policies Handbook).
Understanding Sexual Harassment
Sexual
harassment subverts the mission of the University and threatens the well-being
of students, faculty, and staff. All members of the UI community have a
responsibility to uphold this mission and to contribute to a safe environment
that enhances learning. Incidents of sexual harassment should be reported
immediately. See the UI Comprehensive Guide on Sexual
Harassment for
assistance, definitions, and the full University policy.
Reacting Safely to Severe Weather
In severe
weather, class members should seek appropriate shelter immediately, leaving the
classroom if necessary. The class will continue if possible when the event is
over. For more information on Hawk Alert and the siren warning system, visit
the Department of Public Safety website.
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